SPRING SELECTIONS
​
IRINA ALIMANESTIANU  • RENATE ALLER • STEPHANIE BRODY LEDERMAN •
TERRY ELKINS • CORNELIA FOSS • SUSAN GROSSMAN •
THE HILTON BROTHERS • EDWARD HOLLAND • JUSTIN LYONS • 
MICHAEL MEEHAN • JON MULHERN • ​DAN RIZZIE • 
​CHRISTOPHE VON HOHENBERG
You can cut all the flowers, but you cannot keep spring from coming. ~ PABLO NERUDA
DIGITAL CATALOG
Picture
​Holland's current series focuses on two themes: mythology and meaning-making. Using linear depictions of constellations in the modern Zodiac as the geometrical foundation of each piece, the constellation is a conceptual underpinning as well as an aesthetic device.
​EDWARD HOLLAND
The Scorpion (Version 15), 2019, acrylic, colored pencil and graphite
on canvas with collage
​48 x 64 inches



​DAN RIZZIE,
Rectors Garden,
mixed media,
31 x 25 1/2 inches

Rizzie has created a unique iconography of the natural world in paintings, collages, and prints. His work, often influenced by the rhythms of the natural world, incorporates materials such as parchment, printed materials, and newsprint.


​IRINA ALIMANESTIANU
Dandelion Confetti, 2016 
oil, ink, pencil, pen, marker, and watercolor on 4 paper panels,
​44 x 60 inches
Alimanestianu’s biomorphic forms examine the invisible relationships between objects and their environment. She renders through color and shape subtle associations; connections are distilled into depictions of raw energy, manifested through the language of abstraction.
​IRINA ALIMANESTIANU
Deep Sea Vent, 2017
Oil, ink, watercolor, gesso, pencil, and gouache
on Arches paper
44 x 90 inches


DAN RIZZIE
Untitled (Green), 2019
acrylic and collage on canvas
48 x 36 inches
 
 
Picture
​THE HILTON BROTHERS
[Christopher Makos + Paul Solberg]
Andy Dandy 5, 2007
​Ed. 4/5
pigment print
​36 x 48 inches
The Andy Dandy series considers the rich association between Warhol and flowers. The images of Warhol are from a 1981 collaboration between Makos and Warhol called "Altered Image", through which the photographer and his subject used unexpected combinations of simple elements to explore Identity.


CHRISTOPHE VON HOHENBERG
The Flower Series: Shadows of the Soul, 2017
​25 x 30 ¼ inches

Von Hohenberg’s “Flower Series: Shadows of the Soul” was inspired by Oscar Wilde's… “What men call the shadow of the body is not the shadow of the body, but is the body of the soul.”


STEPHANIE BRODY LEDERMAN
First Rain of Spring, 2020
mixed media on canvas
​36 x 36 inches

Brody Lederman’s paintings and mixed media works combine observations and memories of visual occurrences with text gleaned from conversation, poetry and memory.
Picture
STEPHANIE BRODY LEDERMAN
Lazy Sunday, 2020
mixed media on canvas
​40 x 60 inches


JON MULHERN
American Renaissance, 2018
oil and acrylic with gold leaf on canvas
24 x 18 inches
Mulhern’s “American Renaissance” series is a contemporary riff on the master works of the Great Hudson River School. His work reflects on natural movements through wind, land, water and paint.


CORNELIA FOSS
Beach People
oil on canvas
48 x 48 inches


CORNELIA FOSS
Two Sailboats, 2018
oil on canvas
​60 x 48 inches

Renowned for her fresh and personal vision, Foss's work interplays intense emotion within the formal constraints of design and painting. 


​JUSTIN LYONS
Earth, Windmill on Fire, 2020
mixed media on canvas
60 x 60 inches
 

Lyons credits his introduction into the world of “street art” as “the spark” that led him to pursue his own form of artistic expression.  “Earth, Windmill on Fire” was inspired by his recent residency in Southampton, NY.


MICHAEL MEEHAN
Untitled (The Red Towel)
oil on canvas
​48 x 48 inches
Picture
Often blurring the line between abstraction and representation, Aller first began her initial oceanscape series as a daily meditation. Aller has documented the subtle variations and moods of the Atlantic for over two decades.
RENATE ALLER
Atlantic Ocean, October 23, 2005
40 x 60 inches


SUSAN GROSSMAN
Transitions 3, 2019
charcoal and pastel on paper
30 x 50 inches 
Using a minimal palette of black, white, and gray, punctuated by the occasional flash of primary color, Grossman’s expansive landscapes are deliberately unspecific allowing for the viewers own interpretation.


​TERRY ELKINS
Dusk, 2019
oil on canvas
​25 x 29 inches
Von Hohenberg's Blinded by the Light series strives to capture the soul of the beaches of the Hamptons and will be included in his upcoming book “The White Album of the Hamptons.”
​CHRISTOPHE VON HOHENBERG
Two Dogs: Blinded by the Light series
​33 x 47 inches